With this series of enigmatic portraits, I depict a subtle sense of femininity within urban settings. These women, alone in the midst of the city, shine through their presence and graceful attitude. They are not sexualized, but empowered — indifferent to being observed, or boldly defying the viewer with an impertinent gaze. Their calm, observant poses contrast with oversaturated surroundings, suspending time and inviting the viewer to question what they are witnessing — and what the women might be thinking. This series explores the complexity of modern womanhood: navigating careers and personal lives without seeking approval, relying on instinct and perception as quiet yet powerful weapons.
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I’ve always felt a contrast within myself — a love for the energy of city life and a deep need to reconnect with nature. Not for its calmness, but for the explosion of beauty, color, and movement it offers. As a lifelong admirer of the Impressionists, I paint landscapes with dynamic, expressive brushstrokes, often working for hours in a state of flow until the piece is completed in a single breath. I’m especially inspired by the Japanese relationship with nature. Whether I paint places in Japan or elsewhere, I always incorporate an Asian touch — bringing a sense of zen and equilibrium to otherwise agitated natural elements. This series isn’t meant to be revendicative or political; it simply expresses my ecstatic reaction to nature and the way it elevates every urban landscape.
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This series, mostly created with a painting knife, reflects my love for the small elements of nature — fleeting details of beauty we often notice only for a moment. Here, I step away from realism to embrace the shapes, colors, and sensations these little “bits of joy” evoke. It’s a lighthearted and spontaneous series — maybe just my way of inviting people to slow down and enjoy life a little more.
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